Abstract

South Asian women and in this context Indian women have always suffered subjugation and rejection in a chauvinistic society restricting them to a life of domesticity. However, by migrating to a foreign country as spouses and participating in the labour market to get education and to live for their children, women migrants experienced social and emotional emancipation and financial independence for the first time. This paper aims to explore the concepts of assimilation and the melting pot theory through the experience of empowerment and liberation from conventional strictures that the Indian woman undergoes through the character of Jasmine in Mukherjee’s novel. The research further examines Mukherjee’s theory of the homeland that constantly exists in a dialogic and supplementary relationship with the new homeland, thereby opening up new ways of thinking about national-cultural formations.  By situating her protagonist in a new American culture with her allegiance to her new home thereby rejecting the hyphenated status of an Indian-American, Mukherjee through the character Jasmine rejects Bill Ashcroft’s theory that diaspora disrupts the theory of national unity.

Key words: Immigration, transition, journey, assimilation, melting-pot, conventional, society.