Journal of
Music and Dance

  • Abbreviation: J. Music Dance
  • Language: English
  • ISSN: 2360-8579
  • DOI: 10.5897/JMD
  • Start Year: 2011
  • Published Articles: 23

Review

Framework for music improvisation and performance: Body/instrument and body/mind connections

Ana Luisa Fridman
  • Ana Luisa Fridman
  • University of Campinas (UNICAMP), Brazil.
  • Google Scholar
Rogério Luiz Moraes Costa
  • Rogério Luiz Moraes Costa
  • University of Sao Paulo (USP), Brazil.
  • Google Scholar
Jônatas Manzolli
  • Jônatas Manzolli
  • University of Campinas (UNICAMP), Brazil.
  • Google Scholar


  •  Received: 16 June 2015
  •  Accepted: 01 February 2016
  •  Published: 29 February 2016

References

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Greeno JG (1994). "Gibson's Affordances", Psychological Review, vol.101 (2), Washington: American Psychological Association, pp. 336-342. 
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Hillier P (2002). Steve Reich: Writings on Music (1965-2000), New York, Oxford University Press.

 
 

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John-Steiner V (2000). Creative Collaboration, New York, Oxford University Press.

 
 

Miranda ER, Wanderley M (2006). New digital musical instruments: Control and interaction beyond the Keyboard, A-R Editions, Inc.; 1st edition, ISBN-13: 978-0895795854.

 
 

Nelson DP (2008). Solkattu Manual: An Introduction to the Rhythmic Language of South Indian Music. New York: Wesleyan University Press.

 
 

Reich S (1968). "Music as a Gradual process" In: Hillier P. (ed.) (2002), Steve Reich: Writings on Music (1965-2000), New York, Oxford University Press.

 
 

Schippers H (2010). Facing the Music: shaping music education from a global perspective, New York, Oxford University Press.

 
 

Varela FJ, Thompson E, Rosh E (2001). The Embodied Mind: Cognitive Science and Human Experience. USA: Massachussets Institute of Technology.