Review
References
Ampem Agyewodin Adu-Gyamfi (1999). 'Akan mmebusem bi'. Kumasi: University Press | ||||
Ampene K (2005). Female Song Tradition and the Akan of Ghana: the creative process in Nnwonkoro. Hampshire: Ashgate Publication Ltd. | ||||
Ampofo-Duodo E (1980). Symbolic Movements in Ghanaian Dances. Accra: School of Performing Arts, Legon. | ||||
Abiodun R (1987). "The Future of African Art Studies: An African Perspective," in African Art Studies: The State of the Discipline. Washington D.C: National museum of African Art. Washington, DC: Smithsonian Institution Press. | ||||
Biebuick DP (1975). Textual and Contextual Analysis in African Art Studies. African Arts. 8.(3) Spring 1975). California: UCLA. | ||||
De Rachewiltz B (1964). Black Eros: Sexual customs of Africa from prehistory to the present day. London: George Allen and Unwin Ltd. | ||||
Garrard TF (1980). Akan weights and the gold trade. London: Longman. | ||||
Gyekye K (1987). An essay on African philosophical thought- The Akan conceptual scheme. Cambridge: Cambridge University Press. | ||||
Mahon A (2005). Eroticism and Art. N.Y: Oxford University Press Inc. | ||||
Nketiah JH (1974). "Ayan." (University of Ghana, Legon) | ||||
Nooter MH (1993). Secrecy: African art that conceals and reveals. Munich: The Museum for African Art, New York. | ||||
Opoku AM (1965). African dances (Institute of African Studies, Legon) | ||||
Oruka OH (1990). Ethics. Nairobi: Nairobi University Press Owusu-Ansah JV (1993). How to wear a cloth. Kumasi: KNUST Press. | ||||
Sarpong PR (1977). Girls' Nubility Rites in Ashanti. Tema: Ghana Publishing Corporation. | ||||
Seavoy MH (n. d.). The Ghana Dance Ensemble. Accra: Pierian press. | ||||
Silver H (1983). Foreign art and Asante aesthetics. L.A.: UCLA. |
Copyright © 2025 Author(s) retain the copyright of this article.
This article is published under the terms of the Creative Commons Attribution License 4.0